Found in Koreatown
ITS BEEN a year (or more) since I began stepping up my return visits to the Grand Central Market because I know it will be a very different place sooner rather than later.
I’ve taken quick walk-throughs some days. On others I’ll sit with one friend or another for a leisurely visit and watch the old and new cross and merge — customers, produce, menus and conversations — all of it on display. So many different Los Angeleses on display among the dried chilies and the fresh corn. I miss the old butcher and the curious arrangements of meats (heads and hooves) — but then I think, maybe he’s not gone — not just yet — only around a corner I haven’t turned yet. But then I am distracted by some new site or stand — the deli, the cheese shop, the new butcher. As I walk around now, I am having trouble even remembering what I remember.
The original six-story building on Broadway was designed in 1896 by architect John B. Parkinson (whose firm served as architects for other L.A.-signature structures such as City Hall, Bullock’s Wilshire and the Los Angeles Union Passenger Terminal — Union Station). Built by Homer Laughlin an Ohio-based businessman. the building’s first ground-floor tenant was he Ville de Paris Department store, but in 1917 the space was remained as a public market that has been shape-shifting to serve the population of downtown ever since.
Up until the 60s, the market served both downtown businesses as well as the residential communities above along Bunker Hill. Now that Broadway and many surrounding downtown boulevards and adjacent neighborhoods are repopulating with loft and condo-dwellers, just who downtown residents are — as well as what their needs might be — have become much more complex subject of discussion.
Change always seems sudden here in L.A., even if it isn’t really. It might have to do with the way we navigate the city. If you uproot from an old neighborhood or a job the familiar haunts slide away to make room for others. Time shifts and it “seems like yesterday.” But it more time has passed than we think.
I took a writer friend who, though she passed the Laughlin building weekly, hadn’t stuck her head inside the Market for some time. In her head it was the same as it always had been: The fruit signs, the neon, the dry goods, the heads and hooves on ice. But after just a few steps inside she saw not what was there but what wasn’t: the old map of her childhood visits, the vendors she had relationships with (whom she asked after by first name.)
Her reaction was instant and deep. The raw emotion — the upset — surprised even her. At first glimpse, It felt like another impending erasure. Full and total. And it wouldn’t be the first time.
The hope for these visits, I realized, is to be able to slow time down a bit so I can absorb and document change in motion.
I too have been bowled over by complete re-imaginings of locations I have considered to be anchors of periods of my life here, backdrops that I thought would be ever-present like the mountains in the distance behind the skyline.
But I know better now.
FOR MORE years than I’d rather admit, I have heard the echo of Robin Russell’s drums as I hike or run in Griffith Park.
Yesterday morning he was installed as always, under the shade of a tree.
I have never taken this for granted and makes it so worth to rise so early in the morning if you you know you’ll get a live soundtrack.
Here’s a little bit of his backstory here.
THIS IS my old neighborhood. Literally a stone’s throw away our old house and long-ago routines.
It was a deep-dose of nostalgia to sit on a patio beneath a canopy of green to conduct interviews and see the high-rise office building where my mother would take us for our pediatrician appointments. We shopped steps away in the now-vanished Santa Barbara Plaza and the old Crenshaw mall. It’s encouraging to see the shifts and additions as well as the fact that two savvy restauranteurs have decided to set down roots here.
“The space serves as a touchstone for Angelenos who have grown up in one of these contiguous neighborhoods and may want to travel back, not just to a physical place, but to a time. “There’s a reason why this is a neighborhood,” Brad Johnson reflects. “So many did stay rooted here emotionally, even after they moved away.” from my profile on Brad Johnson and Govind Armstrong and their restaurant Post & Beam now up at at KCET DEPARTURES.
Photo byTeresa A. Mendoza via KCET Departures
Jim Rockford’s L.A. was the real deal.
IN WHICH, I consider the appearance of so many “headless” palm trees scattered around the basin. What was once the occasional spotting, now is a much more common feature of our landscape.
Click here to read the piece; it’s part of a series of essays in the new Flaunt/L.A. Review of Books partner-project about those ubiquitous palm trees here in L.A.
I CAN’T express how happy I am to finally hear that Los Angeles Plays itself, Thom Anderson’s inclusive all over the map — literally– look at L.A. on film will finally be available for purchase this Fall.
from Alissa Walker’s post on Gizmodo:
If you haven’t seen it before, Los Angeles Plays Itself is innately entertaining as a cinematic experiment, even to the Angeleno-agnostic. Narrated with Andersen’s own commentary, the documentary features over 200 clips from films about Los Angeles, examining everything from the stereotypes surrounding the city’s automobile culture to an oft-repeated thesis that villains live in modernist houses (below). In short, it’s probably the most important media study ever conducted on the city—maybe any city!—and no one has been able to see it.
When I was teaching my “Telling L.A.’s Story” course, I used the film as a sort of red carpet into a Los Angeles my students hadn’t seen. My hope too was that it would at the same time get them thinking a differently about the city they traversed and interacted with daily. City as set. City as City. Each semester though, I had to hunt around for links because they would often be removed — only to be replaced by others. It will be great to have this sprawling moving canvass at the ready.
I feel a series of “Plays Itself” viewing parties in our near future…