ONCE AGAIN Vromans Bookstore in Pasadena outdoes itself with an elaborate Banned Books Week display. This time each title is outfitted with a backstory — about where and why the “notorious” volume made the list. I haven’t picked my title yet but as you can see there are many to choose from.
Exercise your right and freedom to choose.
FALL IS here just about, though the temps are still spiking into the high 90s. It’s typical L.A. Indian Summer. That’s why I had an early-morning visit this week with the artist Dominique Moody. She’s been taking her artist’s residence on wheels on short trips around Southern California. It’s a tiny house, but one built by a trained assemblage artist. Both portrait and theater, Moody’s Nomad is the product of a series of serendipitous encounters that very early on took root in her imagination.
I wrote about her for KCET’s Artbound not too long ago. She’s almost ready to take the first of her longer journeys.
Here are some quick moments from my visit in Altadena.
More to come.
Claudia Rankine via KCET
Just before I hopped out of town for a brief pause, I was able to speak to writer Claudia Rankine about her book Citizen: An American Lyric and the staged version that will be up at the Fountain Theatre here in L.A. until October 11.
Here’s a snip from the intro:
On the American “stage” — within mainstream media and in public discourse — the discussion of race and racism is often defined by spectacle: an event that we can collectively point to that plays out on our screens, large and small. It might be the grievous roll call of black lives cut short by raw acts of violence; or it might take shape in next week’s headlines — a bungled arrest or denial of dignity — that eerily mirrors incidents of three generations ago.
While those high-profile, super-charged moments are indeed odious and shameful, they are indicative of a deeper malady affecting the American psyche, writer Claudia Rankine argues in her most recent book, “Citizen: An American Lyric.”
Often, Rankine notes, these high-profile conflagrations — New Orleans post Hurricane Katrina, the murder of Trayvon Martin — are viewed with confusion or are categorized as aberration by those who don’t move through life with black skin. For those who navigate daily through fraught territory, the belief or assumption that racism is largely “behind us” is both a powerful articulation of privilege and a violent act of erasure.
To read the interview in full click here.