LAST WEEK, I was in the last stretch of finishing up an essay about Los Angeles—what it looks, feels, sounds like and the histories we all on. All this, just as we received the order from the state of California and the city and county of Los Angeles to stay at home. Not a lock down, but to limit our movements around the city due to the novel coronavirus.
During a teleconference with my editor, we sorted out a way to include this new and unprecedented chapter in the story of the city. Last weekend, on the way to do morning groceries, I wound through my old neighborhood to see what an emptied-out L.A. was beginning to look like.
These photos illustrate this.
It was heartening to see how quickly people acted and yet heartbreaking to see the city stilled in such a dramatic way..
You can read my essay up at High County News here.
On Saturday night – July 7 – I’ll be in conversation with Kevin McCollister (@eastofwestla), discussing his work documenting Los Angeles. We’ll be at HELMS BAKERY. 8800 Venice Boulevard (entrance on Washington Blvd.) 7:30pm. Please join us.
THIS WAS incredible news! The in-depth essay I researched and wrote for this beautiful box set, won the Best Album Notes Grammy yesterday. I am still over the moon, especially because it was a project that set its larger goal as getting all three nights — and all sets — of Redding’s run at the Whisky A Go Go that April 1966 in pristine listening shape for the world to hear.
Redding was poised to take the next big step in his career and looked at L.A. as not a stepping stone but a launching pad. These recordings reveal his enthusiasm, prowess and charm.
JOIN US tomorrow afternoon at 826LA Echo Park for Roar Shack. On the bill: Chip Jacobs, Dana Johnson Geza X, Steve Hodel, David Kukoff and yours truly. The event: “I Remember That: L.A. in the 70s.” We’ll be reading pieces looking back at when L.A. was a bit more open, wild and it took only 30 minutes to get just about anywhere…. See you there.